Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553112
Nośnik: 1 CD
Data wydania: maj 2020
EAN: 4260085531127
Nr katalogowy: AVI 8553112
Nośnik: 1 CD
Data wydania: maj 2020
EAN: 4260085531127
Mozart: Piano Concertos K. 413 - 415
Avi Music - AVI 8553112
Kompozytor
Wolfgang Amadeus Mozart (1756-1791)
Wolfgang Amadeus Mozart (1756-1791)
Wykonawcy
Alexander Schimpf, piano
Bayerische Kammerphilharmonie
Alexander Schimpf, piano
Bayerische Kammerphilharmonie
Nagrody i rekomendacje
Utwory na płycie:
Concerto for Piano and Strings in F Major, No. 11, K. 413 - I. Allegro- Concerto for Piano and Strings in F Major, No. 11, K. 413 - II. Larghetto
- Concerto for Piano and Strings in F Major, No. 11, K. 413 - III. Tempo di Menuetto
- Concerto for Piano and Strings in A Major, No. 12, K. 414 - I. Allegro
- Concerto for Piano and Strings in A Major, No. 12, K. 414 - II. Andante
- Concerto for Piano and Strings in A Major, No. 12, K. 414 - III. Rondeau
- Concerto for Piano and Strings in C Major, No. 13, K. 415 - I. Allegro
- Concerto for Piano and Strings in C Major, No. 13, K. 415 - II. Andante
- Concerto for Piano and Strings in C Major, No. 13, K. 415 - III. Allegro
Concerto for Piano and Strings in F Major, No. 11, K. 413
Concerto for Piano and Strings in A Major, No. 12, K. 414
Concerto for Piano and Strings in C Major, No. 13, K. 415
Concerto for Piano and Strings in A Major, No. 12, K. 414
Concerto for Piano and Strings in C Major, No. 13, K. 415
„Mozart’s music poses special challenges to performers, and they have often been pointed out. As it would seem, certain fundamental tensions or contradictions inherent in music making are taken to extremes: many works by Mozart require that the instrumental process and conditions responsible for producing the sound should retreat into the background in favor of the musical result as we hear it.
No expenditure of energy should be noted or heard. Fine, precise timing adjustments should never sound organized or deliberate. This music should ideally be presented as something that emerges entirely naturally, of its own accord. All the mental and technical effort in the background should be eliminated from the forefront of perception. Otherwise, the typically ‘floating’ Mozartian natural effect, that magical inner balance, cannot emerge.
On this recording we make use of the version specifically authorized by Mozart: eschewing additional wind parts. Although the wind parts composed by Mozart for these concertos can indeed provide some color, they do not have anything essential or indispensable to add in terms of musical substance”. (Alexander Schimpf, Booklet)
No expenditure of energy should be noted or heard. Fine, precise timing adjustments should never sound organized or deliberate. This music should ideally be presented as something that emerges entirely naturally, of its own accord. All the mental and technical effort in the background should be eliminated from the forefront of perception. Otherwise, the typically ‘floating’ Mozartian natural effect, that magical inner balance, cannot emerge.
On this recording we make use of the version specifically authorized by Mozart: eschewing additional wind parts. Although the wind parts composed by Mozart for these concertos can indeed provide some color, they do not have anything essential or indispensable to add in terms of musical substance”. (Alexander Schimpf, Booklet)
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