Utwory na płycie:

• Chorale Preludes BV B27 No. 9 - In dir ist Freude, BWV 665
• Phantasy and Fugue in G Minor, BWV 542 - Phantasy
• Phantasy and Fugue in G Minor, BWV 542 - Fugue
• Chorale Preludes BV B27 No. 4 - Nun freut Euch, lieben Christen g‘mein ..., BWV 734
• Phantasy and Fugue on B-A-C-H, S. 529/2
• Chorale Preludes BV B27 No. 10 - Jesus Christus..., BWV 615
• Prélude, Fugue et Variation, Op. 18
• Concerto for Piano solo in B Minor, BWV 979 - I. (Adagio) – Allegro
• Concerto for Piano solo in B Minor, BWV 979 - II. Adagio
• Concerto for Piano solo in B Minor, BWV 979 - III. Allegro (Grave)
• Concerto for Piano solo in B Minor, BWV 979 - IV. Andante
• Concerto for Piano solo in B Minor, BWV 979 - V .Adagio
• Concerto for Piano solo in B Minor, BWV 979 - VI. Allegro
• Italian Concerto in F Major for Piano solo, BWV 971 - I. (Allegro)
• Italian Concerto in F Major for Piano solo, BWV 971 - II. Andante
• Italian Concerto in F Major for Piano solo, BWV 971 - III. Presto

Johann Sebastian Bach:
Concerto for Piano solo in B Minor, BWV 979, after Violin Concerto in D Minor, RV 813, of Antonio Vivaldi
Italian Concerto in F Major for Piano solo, BWV 971
Chorale Preludes, BV B27 - No. 9, In dir ist Freude, BWV 665 (arr. Ferruccio Busoni)
Phantasy and Fugue in G Minor, BWV 542 (arr. Franz Liszt)
Chorale Preludes, BV B27 - No. 4, Nun freut Euch, lieben Christen g‘mein ..., BWV 734
Chorale Preludes, BV B27 - No. 10, Jesus Christus, unser Heiland, BWV 615

Franz Liszt:
Phantasy and Fugue on B-A-C-H, S. 529/2

Cesar Franck:
Prélude, Fugue et Variation, Op. 18 (arr. Asya Fateyeva and Stepan Simonian)

“Arrangements, paraphrases, copies – in the music world, these are just a few of the terms that designate the same genre, which has probably existed as long as art itself. What is an arrangement?

Is it more or less a copy of the original, or is it an independent work in its own right? How far can the arranger stray from the original? Who is the main author: the composer or the arranger? Even from a legal point of view, this subject is so complex that no clear answer has yet been found.

Throughout his life, Bach often arranged works by other composers and continually rearranged his own. This was something he found natural, and in his day and age it was nothing unusual. In the case of a great number of his works for keyboard, we are not sure whether they were intended for harpsichord, organ, or even clavichord. I have always found this subject of great importance: as a pianist, if one chooses the modern grand as the medium for these pieces, one is performing Bach exclusively in “arrangement” form.

In this context I decided to examine the creative interrelations among works by several composers separated by time and space: from Vivaldi to Busoni, from Bach to Franck and Liszt, in order to conceive a programme for this CD with the figure and the oeuvre of Bach as connecting element: “All Around Bach”… (booklet notes by Stepan Simonian)

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Recording: V 2020 (Tr. 1-6; 10-17); VI 2020 (Tr 7-9), Hamburg, Friedrich-Ebert-Halle. Piano: Bechstein Grand D-212837.