Beethoven: Symphony No. 9
Avie - AV 2245
Kompozytor
Ludwig van Beethoven (1770-1827)
Ludwig van Beethoven (1770-1827)
Wykonawcy
Rebecca von Lipinksi, soprano
Anna Grevelius, mezzo-soprano
Peter Wedd, tenor
Roderick Williams, baritone
Manchester Camerata
City of Birmingham Symphony Orchestra Chorus / Douglas Boyd
Rebecca von Lipinksi, soprano
Anna Grevelius, mezzo-soprano
Peter Wedd, tenor
Roderick Williams, baritone
Manchester Camerata
City of Birmingham Symphony Orchestra Chorus / Douglas Boyd
Utwory na płycie:
- Symphony No 9 in D minor Op 125 Choral (1824) - Allegro ma non troppo- un poco maestoso
- Symphony No 9 in D minor Op 125 Choral (1824) - Molto vivace
- Symphony No 9 in D minor Op 125 Choral (1824) - Adagio molto e cantabile
- Symphony No 9 in D minor Op 125 Choral (1824) - Presto Allegro assai - Presto - Allegro assai
Manchester Camerata concludes its acclaimed Beethoven cycle, appropriately with the composer?s final Symphony, the glorious Ninth. Like the previous releases in this cycle these live recordings capture the spirit and freshness of these remarkable, genre-busting works, as well as the excitement, atmosphere and energy of the chamber orchestra under Douglas Boyd, the ensemble's Music Director for 10 years.
Manchester Camerata has become one of the finest, most innovative chamber orchestras in the UK, and Douglas Boyd has proven to be an eminent Beethovenian. Conducting the composer's Fidelio at the 2009 Garsington Opera Festival, The Times (London) noted his grasp of Beethovenian idiom and pungent underlining of orchestral detail, praising the musical performance as sublime and exultant.
Recorded live in concert at The Bridgewater Hall, Manchester, January 2011 Produced by Andrew Keener
Manchester Camerata has become one of the finest, most innovative chamber orchestras in the UK, and Douglas Boyd has proven to be an eminent Beethovenian. Conducting the composer's Fidelio at the 2009 Garsington Opera Festival, The Times (London) noted his grasp of Beethovenian idiom and pungent underlining of orchestral detail, praising the musical performance as sublime and exultant.
Recorded live in concert at The Bridgewater Hall, Manchester, January 2011 Produced by Andrew Keener