Utwory na płycie:

• CD01 TK 01 Traditional New England Appalachian Barn Dance
• CD01 TK 02 Traditional Southern lullaby Nobody But The Baby
• CD01 TK 03 Kentucky spiritual Hold On
• CD01 TK 04 Traditional Elizabethan & Appalachian The Fox Went Out On A Chilly Night
• CD01 TK 05 Thomas Ravenscroft Willie Prithee Goe To Bed
• CD01 TK 06 Traditional Appalachian Ways Of The WorldDusty Miller
• CD01 TK 07 Thomas Ravenscroft The Three Ravens
• CD01 TK 08 Traditional Irish Lark In The Morning Medley
• CD01 TK 09 Traditional Southern Appalachian Old Virginny
• CD01 TK 10 Traditional Southern the Girl Who Broke My Heart
• CD01 TK 11 Traditional AppalachianKentucky ballad Wild Bill Jones
• CD01 TK 12 The Kentucky Harmony Wayfaring Stranger
• CD01 TK 13 Traditional Kentucky fiddle tune Glory In The Meeting House
• CD01 TK 14 The Sacred Harp 1844 Return AgainSavior Visit Thy Plantation
• CD01 TK 15 The Sacred Harp 1844 What Wondrous Love Is This
• CD01 TK 16 Anonymous Dances From New England & Ireland
• CD01 TK 17 The Southern Harmony 1835 Morning Trumpet Oh When Shall I See Jesus
• CD01 TK 18 Traditional Southern folk hymn Down In The River To Pray
• CD01 TK 19 Southern fiddle tune & breakdown dance Old Joe Clark

Part I:
Appalachian Wagon Train:
Appalachian Barn Dance - instrumental
Swinging on a Gate Give the Fiddler a Dram Traditional New England/Appalachian fiddle tunes, arr. Sorrell
Nobody But The Baby - Sandra Simon, Scott Mello, Abigail Lennox
Traditional Southern lullaby, collected by Alan Lomax as sung by Mrs. S. Carter in Mississippi
arr. Sorrell
Hold On - Paul Shipper & Company
Kentucky spiritual, collected by Cecil Sharp as sung by the girls at Oneida School, Kentucky
arr. Sorrell
The Fox Went Out On A Chilly Night - Sandra Simon, soprano
Text traditional Elizabethan & Appalachian melody by Custer LaRue*
Willie, Prithee Goe To Bed - Paul Shipper & Company
Thomas Ravenscroft, 1609
traditional New England/ppalachian, arr. Sorrell
Ways Of The World/Dusty Miller - Tina Bergmann, hammered dulcimer
Traditional Appalachian, arr. Bergmann/Schiffer

Part II:
Love & Death:
The Three Ravens - Sandra Simon, soprano
Thomas Ravenscroft, 1610
traditional New England/Appalachian, arr. Sorrell
Lark In The Morning Medley - Kathie Stewart, flute
Dark Island Lark in the Morning Kesh Jig Knights of St. Patrick Traditional Irish, arr. Stewart
Old Virginny - Scott Mello, tenor
Traditional Southern Appalachian, collected by Jean Ritchie
arr. Sorrell
The Girl Who Broke My Heart - René Schiffer, cello
Traditional Southern, arr. Schiffer
Wild Bill Jones - Scott Mello & Company
Traditional Appalachian/Kentucky ballad, arr. Sorrell/Jones

Part III:
Revival Meeting:
Wayfaring Stranger - Abigail Lennox, soprano
The Kentucky Harmony, 1816 (titled Judgment), arr. Sorrell
Glory In The Meeting House
Traditional Kentucky fiddle tune, arr. Bergmann/Sorrell/Schiffer
Return Again

Savior, Visit Thy Plantation
The Sacred Harp, 1844
What Wondrous Love Is This
The Sacred Harp, 1844, arr. Sorrell
Dances From New England & Ireland - Jeannette Sorrell, harpsichord
The Rakes of Kildare Langstroms Pony The Kitchen Girl The Gravel Walk
Morning Trumpet/Oh When Shall I See Jesus
The Southern Harmony, 1835
Down In The River To Pray - Sandra Simon & Company
Traditional Southern folk hymn

Bonus Track:
Old Joe Clark [Appalachian Barn Dance ? Encore version]
Southern fiddle tune & breakdown dance, arr. Sorrell

Apollo's Fire conjures early 19th century rural Americana with Come to the River, an evocative and kaleidoscope journey through traditional folk songs and fiddle tunes, ballades and barn dances, and the indispensable Old Time revivalist meetings. This is music as old as the hills themselves, a melting pot of Irish, English and Scottish tunes which permeated Appalachian culture, and rural America based on field recordings of Old-Time and Appalachian singers. Come to the River was conceived by Apollo?s Fire founder Jeannette Sorrell who first began to identify with this music when, as a teenager, her family moved to the Shenandoah Valley in Virginia, and she landed her first job playing piano for the Greenway Southern Baptist Church. She draws on the expertise of the great folklorists Francis James Child and Alan Lomax, and British immigrant Cecil Sharp.

Come to the River features leading vocalists and instrumentalists practicing in the early American folk tradition. Fiddle, banjo, hammered dulcimer and Irish flute, with cello and harpsichord, back the vocalists? beautiful, stark, open harmonies and shape-note hymns ? tunes that are instantly recognizable and an indelible ingredient in American musical history.