Wydawnictwo: Avie
Nr katalogowy: AV 2200
Nośnik: 1 CD
Data wydania: październik 2010
EAN: 822252220025
Nr katalogowy: AV 2200
Nośnik: 1 CD
Data wydania: październik 2010
EAN: 822252220025
Mozart: Piano Concertos Nos. 18 and 22
Avie - AV 2200
Kompozytor
Wolfgang Amadeus Mozart (1756-1791)
Wolfgang Amadeus Mozart (1756-1791)
Wykonawcy
Northern Sinfonia / Imogen Cooper, piano
Northern Sinfonia / Imogen Cooper, piano
Nagrody i rekomendacje
Utwory na płycie:
CD01 TK 01 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 22 Allegro- CD01 TK 02 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 22 Andante
- CD01 TK 03 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 22 Allegro
- CD01 TK 04 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 18 Allegro vivace
- CD01 TK 05 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 18 Andante un poco sostenuto
- CD01 TK 06 Wolfgang Amedeus Mozart Concerto for Piano and Orchestra No 18 Allegro vivace
Piano Concerto No. 22 in E flat, KV482
Piano Concerto No. 18 in B flat, KV456
Piano Concerto No. 18 in B flat, KV456
The acclaimed pianist Imogen Cooper has seen her highly regarded career blossom of late, due to her recordings of Schubert’s late solo piano works and Mozart Piano Concertos on Avie. Most recently her Schubert series has appeared in the Top 10 of the UK’s Specialist Classical Chart, and has been hailed by the international media, from the BBC to National Public Radio, and Gramophone to The New York Times. This release is her third of Mozart concertos directing the Northern Sinfonia from the keyboard, an instrument
that Cooper selected specially for the spectacular Sage Gateshead when the venue opened in 2004. The synergy between soloist and orchestra results in a poetic clarity that befits Mozart’s late works.
critical acclaim for Imogen Cooper’s Mozart
“Cooper once again reminds us of her own very individual, melodic style … She clearly feels this music deeply and infectiously communicates that sense to the listener.” – Gramophone Editor’s Choice (AV 2100)
“not a single phrase passed from Cooper's hands without being imbued with some form of emotional meaning” … Cooper achieves that rare affect in her playing that she is creating something personal.” – The Philadelphia Inquirer
“Cooper's eloquent, musically intelligent playing was true to the bold profile of this work without sacrificing suppleness or grace." – The Boston Globe
Recorded 9-11 November 2009 in Hall One of The Sage Gateshead, England
that Cooper selected specially for the spectacular Sage Gateshead when the venue opened in 2004. The synergy between soloist and orchestra results in a poetic clarity that befits Mozart’s late works.
critical acclaim for Imogen Cooper’s Mozart
“Cooper once again reminds us of her own very individual, melodic style … She clearly feels this music deeply and infectiously communicates that sense to the listener.” – Gramophone Editor’s Choice (AV 2100)
“not a single phrase passed from Cooper's hands without being imbued with some form of emotional meaning” … Cooper achieves that rare affect in her playing that she is creating something personal.” – The Philadelphia Inquirer
“Cooper's eloquent, musically intelligent playing was true to the bold profile of this work without sacrificing suppleness or grace." – The Boston Globe
Recorded 9-11 November 2009 in Hall One of The Sage Gateshead, England
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