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• CD01 TK 01 Sergei Prokofiev Sonata No 1 Op 1 in F minor Allegro
• CD01 TK 02 Sergei Prokofiev Sonata No 2 Op 14 in D minor Allegro ma non troppo
• CD01 TK 03 Sergei Prokofiev Sonata No 2 Op 14 in D minor Scherzo Allegro marcato
• CD01 TK 04 Sergei Prokofiev Sonata No 2 Op 14 in D minor Andante
• CD01 TK 05 Sergei Prokofiev Sonata No 2 Op 14 in D minor Vivace Moderato Vivace
• av2183_06.mp3
• CD01 TK 07 Sergei Prokofiev Sonata No 4 Op 29 in C minor Allegro molto sostenuto
• CD01 TK 08 Sergei Prokofiev Sonata No 4 Op 29 in C minor Andante assai
• CD01 TK 09 Sergei Prokofiev Sonata No 4 Op 29 in C minor Allegro con brio ma non leggiere
• CD01 TK 10 Sergei Prokofiev Sonata No 5 (revised edition) Op 135 in C major Allegro tranquillo
• CD01 TK 11 Sergei Prokofiev Sonata No 5 (revised edition) Op 135 in C major Andantino
• CD01 TK 12 Sergei Prokofiev Sonata No 5 (revised edition) Op 135 in C major Un poco allegretto

Sonata No. 1 Op. 1 in F minor
Sonata No. 2 Op. 14 in D minor
Sonata No. 3 Op. 28 in A minor
Sonata No. 4 Op. 29 in C minor
Sonata No. 5 (revised edition) Op. 135 in C Major

Avie introduces the brilliant young Romanian pianist Alexandra Silocea who offers some of her signature repertoire on her debut recording, the first five Piano Sonatas of Prokofiev. Dubbed “Alexandra the Great” by Gramophone who announced her debut recording, the 26-year-old trained in Vienna and Paris, and is now resident in the UK. In 2003, while studying at Vienna University for Music and Performing Arts, she was awarded the Herbert von Karajan Scholarship, the latest in a string of prizes from competitions throughout Europe. Alexandra made her professional debut in 2008 with the Vienna Chamber Orchestra. Recital debuts followed in 2009 at the Musikverein in Vienna, Carnegie Hall’s Weill Recital Hall in New York, and le Salon de Musique in Paris.

Alexandra says: “This debut recording serves as a journey through my own musical path. The aim of recording Prokofiev’s first five piano sonatas together was to show all the facets of his musical personality, from Op. 1 to Op. 135, which is the revised version of Sonata No. 5, one of the last works he completed before his death in 1953. Each Sonata is so different, so original, with such care for detail that whenever I play or listen to this music it is a revelation.

“My aim is to give an interpretation very faithful to the score, without unnecessary or superficial effects. I have experienced quite some resistance in programming these works but I hope that with this recording, listeners will discover more than they imagined. It is a ride through an impressive musical landscape and one where you should not be able to get off!”

This recording extends the legacy of the late producer John Barnes, who introduced the pianist to Avie. An insatiable scout for young talent, Barnes also worked for decades behind the scenes at Glyndebourne, recording every production for the company archives. His successor at Glyndebourne, Sebastian Chonion, has produced Alexandra’s debut recording.