Byrd:
Have mercy upon me, O God
Christe qui lux es (III, a 4)
Who made thee, Hob, forsake the plough?
Lawes:
A Dialogue on a Kisse
Campion:
The Fairie Queene Proserpina
Johnson:
Satyr’s Dance
Tomkins:
Pavan (a 5)
Simpson:
Suite from Taffel-Consort
Gibbons:
See, see, the word is incarnate

A musical journey to (post-)Elizabethan England as it transitioned from the renaissance into the early baroque period: consort songs, fantasies and dances by William Byrd and his successors in colourful interpretations by the Boreas Quartett Bremen, the Hathor Consort and the sopranos Dorothee Mields and Magdalene Harer.