Johannes Ghiselin:
Fors seulement

Pierre de la Rue:
Plorer gemier/Requiem
Il viendra le jour désiré
Puisque je suis hors du compte
Fors seulement
Ma bouche rit

Jacob Obrecht:
Requiem
Missa Fortuna desperata

Loyset Compere:
Scaramella fa la galla

Antoine Brumel:
James que la

Matthaeus Pipelare:
Fors seulement

Johannes Ockeghem:
Fors seulement

Alexander Agricola:
Tout a pour moy
Sonnés, muses

Johannes Prioris:
Deuil et ennuy
Royne du ciel/Regina caeli

Heinrich Isaac:
La mi la sol

Ave Maria (3 versions)
Amours mon fait

The Boreas Quartett Bremen and soprano Dorothee Mields bring a little-known musical manuscript of the renaissance to life and present a series of premiere recordings. The Basevi Codex, a collection of Franco-Flemish chansons, motets and mass settings, was produced during the early sixteenth century in the famous music scribing workshop of Pierre Alamire. Faithfully following renaissance performance practice, which allowed great freedom in its musical realisations, the recorder consort and Dorothee Mields interpret selected pieces from the codex, with voice or purely instrumental, and, depending on the character of the piece, also with improvised virtuoso ornamentation. This creates a colourful picture of the music as it was sung and played at the Burgundian-Dutch court of Princess Margaret of Austria in Mechelen.

This recording is the second volume of a multi-part audite recording series with recorder player Julia Fritz, and the audite debut recording of the Boreas Quartett Bremen.

---

Recording: August 6-9, 2020, Bassum, Stiftskirche St. Mauritius & St. Viktor.