Wydawnictwo: Alto
Nr katalogowy: ALC 1372
Nośnik: 1 CD
Data wydania: kwiecień 2018
EAN: 5055354413728
Nr katalogowy: ALC 1372
Nośnik: 1 CD
Data wydania: kwiecień 2018
EAN: 5055354413728
Suppe / Auber / Berlioz: Favourite French Overtures
Alto - ALC 1372
Wykonawcy
Detroit Symphony Orchestra / Paul Paray
Detroit Symphony Orchestra / Paul Paray
Franz von Suppé:
Beautiful Galatea
Pique Dame
Light Cavalry
Poet & Peasant
Morning, Noon & Night in Vienna
Boccaccio
Daniel Auber:
The Bronze Horse
Fra Diavolo
Ferdinand Hérold:
Zampa
Heitor Berlioz:
Le Carnaval Romain
Beautiful Galatea
Pique Dame
Light Cavalry
Poet & Peasant
Morning, Noon & Night in Vienna
Boccaccio
Daniel Auber:
The Bronze Horse
Fra Diavolo
Ferdinand Hérold:
Zampa
Heitor Berlioz:
Le Carnaval Romain
Mastered from Mercury Living Presence LPs.
‘Mercury is all about the placement of the microphones. Paul Paray, the conductor who made the Detroit Symphony one of the finest ‘French’ orchestras on the planet’ (Gramophone)
“Suppé and Auber prove an ideal spirit-raiser. The Beautiful Galatea balances handsome playing with real swagger, and Poet & Peasant is intense and beautifully shaped. There are nine overtures, each parading similar virtues - brilliance, energy, a consistent rhythm and line, (and) felicitous phrasing ... Berlioz (is) the best music, and here the virtuosity of Paray’s orchestra really comes into its own. I do not ever remember having heard the climax of Le Carnaval Romain whipped up more excitingly” (Gramophone)
‘Mercury is all about the placement of the microphones. Paul Paray, the conductor who made the Detroit Symphony one of the finest ‘French’ orchestras on the planet’ (Gramophone)
“Suppé and Auber prove an ideal spirit-raiser. The Beautiful Galatea balances handsome playing with real swagger, and Poet & Peasant is intense and beautifully shaped. There are nine overtures, each parading similar virtues - brilliance, energy, a consistent rhythm and line, (and) felicitous phrasing ... Berlioz (is) the best music, and here the virtuosity of Paray’s orchestra really comes into its own. I do not ever remember having heard the climax of Le Carnaval Romain whipped up more excitingly” (Gramophone)