Chopin:
Waltz No. 3 in A minor 'Grande Valse Brillante', Op. 34 No. 2
Barcarolle in F sharp major, Op. 60
Debussy:
Serenade for the Doll
Horowitz, V:
Wedding March & Variations (after Mendelssohn /Liszt)
The Stars and Stripes for Ever (after Sousa)
Variations on a Theme from Bizet's Carmen
Hungarian Rhapsody No. 2 (after Liszt)
Hungarian Rhapsody No. 19 (after Liszt)
Mendelssohn:
Song without Words, Op. 62 No. 6 in A major 'Spring Song'
Moszkowski:
Étincelles, Op. 36 No. 6
Mozart:
Rondo alla Turca from Piano Sonata No. 11, K331
Schumann:
Arabeske in C major, Op. 18
Scriabin:
Piano Sonata No. 9, Op. 68 'Black Mass'

“His wizardry was undeniable, his technique unique. Playing with almost flat fingers, which requires great strength, and with minimum use of the pedal, he was frequently praised for making the most demanding works appear easy … excitement generated at his concerts was white-hot and his pyrotechnics left audiences open-mouthed: Emanuel Ax commented that Horowitz was always in complete control, while suggesting ‘that everything was just on the verge of going haywire’.”(James Murray)