“It was Faerber’s Württemburgers (Turnabout) who first introduced the majority of people to such gems as Albinoni’s Adagio or Pachelbel’s Kanon” (MusicalMerit) (Gramophone quotes: “there is a lot to enjoy – The Lute concerto in particular” (Trumpet concerto): “trumpet-playing itself is everywhere firm and clear, with good tone, style, and intonation – extra brilliance is offered by Edward Tarr”(Telemann Suite): “exceedingly entertaining…a French overture, then a series of character pieces, of which, ‘La trompette’, is a witty take-off…. Of the five dances which follow, I would specially mention the graceful Rondeau, the spirited Bourrée, the very Gallic Courante (with teasing rhythmic ambiguities) and its virtuoso double for the gamba”