Utwory na płycie:

• acd22668_001.mp3
• acd22668_002.mp3
• acd22668_003.mp3
• acd22668_004.mp3
• acd22668_005.mp3
• acd22668_006.mp3
• acd22668_007.mp3
• acd22668_008.mp3
• acd22668_009.mp3
• acd22668_010.mp3
• acd22668_011.mp3
• acd22668_012.mp3
• acd22668_013.mp3
• acd22668_014.mp3
• acd22668_015.mp3
• acd22668_016.mp3
• acd22668_017.mp3
• Cantata No. 54, "Widerstehe doch der Sünde," BWV 54 (BC A51): Aria
• Cantata No. 54, "Widerstehe doch der Sünde," BWV 54 (BC A51): Recitativo
• Cantata No. 54, "Widerstehe doch der Sünde," BWV 54 (BC A51): Aria
• Sinfonia for 7 strings (for lost motet Da pacem)
• Salve mi, Jesu, cantata for voice & 5 strings
• Suite (Ouverture) No. 3 in C: Ouverture
• Suite (Ouverture) No. 3 in C: Menuet
• Suite (Ouverture) No. 3 in C: La Plainte
• Suite (Ouverture) No. 3 in C: Le Sommeil
• Suite (Ouverture) No. 3 in C: La Réjouissance
• Ascendit Christus in altum, for voice, 5 strings & continuo
• Chorale for organ "Nun laßt uns Gott dem herren oder Wach auf, mein Herz, und singe"
• Was betrübst du dich, meine Seele, for voice, 2 violins & continuo
• Passacaglia for organ in G minor (from Apparatus musico-organisticus, Part 2): [Excerpt]
• Erbarm Dich mein, O Herre Gott, for soprano, 4 violes, violone & continuo, SWV 447
• Studentenmusik: Paduana - Ballo
• Trocknet euch ihr heißen Zähren, aria for voice, strings & continuo

Bach, J M I:
Auf, laßt uns den Herren loben

Bach, J S:
Cantata BWV54 'Widerstehe doch der Sünde'

Bernhard:
Was betrübst du dich, meine Seele

Erlebach:
Overture No. 3 in C major
Trocknet euch ihr heissen Zahren

Muffat, Georg:
‘Passacaglia

Rosenmüller:
Ascendit Christus in altum

Studenten-Music:
Paduan - Ballo

Schütz:
Erbarm dich mein, O Herre Gott, SWV447

Tunder:
Sinfonia a 7 viole (for a lost motet)
Salve mi Jesu

On Meine Seele (My soul), Canadian countertenor Matthew White breathes new life into sacred cantatas by German composers who preceded Bach. Listeners are invited to rediscover forgotten works by such 17th-century German masters as Franz Tunder, Christoph Bernhard, and Philipp Heinrich Erlebach.

Alexander Weimann is one of the most sought after harpsichordists, ensemble directors, soloists and chamber music partners of his generation.

The ensembleTempo Rubato owes its name to the musical practice of diverging from the unrelenting and gradual rhythm for a short period of time in a piece, allowing for solo freedom. Its historical origins go back to baroque sources, where it was first detected.

This recording features the compositions of JS Bach, Franz Tunder, Erlebach, Rosenmuller, JM Bach, Bernhard, Muffat, and Schutz.

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Recorded at the Eglise Saint-Augustin, Mirabel, Quebec, November 2011.