Utwory na płycie:

• "Wachet! betet! betet! wachet!" BWV 70 - 1. Coro [Quartetto]
• BWV 70 - 2. Recitativo [Basso]
• BWV 70 - 3. Aria [Alto]
• BWV 70 - 4. Recitativo [Tenore]
• BWV 70 - 5. Aria [Soprano]
• BWV 70 - 6. Recitativo [Tenore]
• BWV 70 - 7. Choral [Quartetto]
• BWV 70 - 8. Aria [Tenore]
• BWV 70 - 9. Recitativo [Basso]
• BWV 70 - 10. Aria [Basso]
• BWV 70 - 11. Choral [Quartetto]
• "Es ist das Heil uns kommen her" BWV 9 - 1. [Quartetto]
• BWV 9 - 2. Recitativo [Basso]
• BWV 9 - 3. Aria [Tenore]
• BWV 9 - 4. Recitativo [Basso]
• BWV 9 - 5. Aria [Soprano & Alto]
• BWV 9 - 6. Recitativo [Basso]
• BWV 9 - 7. Choral [Quartetto]
• "Himmelskönig, sei willkommen" BWV 182 - 1. Sonata (Grave. Adagio) [Instrumental]
• BWV 182 - 2. Chorus [Quarteto]
• BWV 182 - 3. Recitativo [Basso]
• BWV 182 - 4. Aria [Basso]
• BWV 182 - 5. Aria [Alto]
• BWV 182 - 6. Aria [Tenore]
• BWV 182 - 7. Choral [Quartetto]
• BWV 182 - 8. Chorus [Quartetto]

BWV 70 „Wachet! betet! betet! wachet!“ Twenty-sixth Sunday after Trinity
BWV 9 „Es ist das Heil uns kommen her“ Sixth Sunday after Trinity
BWV 182 „Himmelskönig, sei willkommen“ Palmarum

In the beginning there was great scepticism towards the thesis that Bach’s sacred vocal works were originally written for solo voices. Now this interpretation is establishing itself more and more. With this edition of one cantata for each Sunday and the great feasts of the ecclesiastical year Sigiswald Kuijken and La Petite Bande want to strengthen this new approach and prove it right by their excellent performances.

Vol. 18 offers three cantatas one for the twenty-sixth Sunday after Trinity, one for the sixth Sunday after Trinity and one for Palmarum.

This volume of the complete edition brings the cycle to a close!

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Recorded: December 03-04 2012 at Predikherenkerk in Leuven (Belgium)