Wydawnictwo: Accent
Seria: Bach Cantatas for Liturgical Year
Nr katalogowy: ACC 25313
Nośnik: 1 SACD
Data wydania: marzec 2011
EAN: 4015023253131
Seria: Bach Cantatas for Liturgical Year
Nr katalogowy: ACC 25313
Nośnik: 1 SACD
Data wydania: marzec 2011
EAN: 4015023253131
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Bach: Cantatas for the Complete Liturgical Year Vol. 13
Accent - ACC 25313
Kompozytor
Johann Sebastian Bach (1685-1750)
Johann Sebastian Bach (1685-1750)
Wykonawcy
Yeree Suh, soprano, Petra Noskaiová, alto
Christoph Genz, tenor, Jan Van der Crabben, bass
La Petite Bande / Sigiswald Kuijken
Yeree Suh, soprano, Petra Noskaiová, alto
Christoph Genz, tenor, Jan Van der Crabben, bass
La Petite Bande / Sigiswald Kuijken
Utwory na płycie:
BWV 249 Oster-Oratorium
BWV 6 „Bleib bei uns, denn es will abend werden“
BWV 6 „Bleib bei uns, denn es will abend werden“
In the beginning there was great scepticism towards the thesis that Bach’s sacred vocal works were originally written for solo voices. Now this interpretation is establishing itself more and more. With this edition of one cantata for each Sunday and the great feasts of the ecclesiastical year Sigiswald Kuijken and La Petite Bande want to strengthen this new approach and prove it right by their excellent performances. This Vol. 13 of the edition contains the Oster-Oratorium BWV 249 and the cantata for Easter Monday (BWV 6).
“Among current cantata series Sigiswald Kuijken's has a distinctive place, his one-to-a-part voices and few instruments achieving striking delicacy. His vocal soloists sing with disarming simplicity and ease in arias, and blend superbly in ensemble. A rare treat, Kuijken – and Bach – at their very best.” (BBC Music Magazine, March 2010 *****, review vol. 9)
“Among current cantata series Sigiswald Kuijken's has a distinctive place, his one-to-a-part voices and few instruments achieving striking delicacy. His vocal soloists sing with disarming simplicity and ease in arias, and blend superbly in ensemble. A rare treat, Kuijken – and Bach – at their very best.” (BBC Music Magazine, March 2010 *****, review vol. 9)
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