Trombone Grande: Music For Bass Sackbut Around 1600
Accent - ACC 24263
Utwory na płycie:
1 Libro delle Canzoni 1 (Canzoni da sonare) (1628) (Auszug) - Canzona Nr. 7 detta la superba.mp3
2 Canzoni, fantasie et correnti da suonar (1638) (Auszug) - Canzon Nr. 23 per due Bassi.mp3
3 Motetti, madrigal et canzone francese (1591) (Auszug) - Tota pulchra es.mp3
4 Selva morale e spirituale (Moralisches und geistliches Wäldchen) (Auszug) - Ab aeterno.mp3
5 Communiones totius anni (1611) (Auszug) - Fantazja Nr. 2.mp3
6 Selva di varii passaggi (1620) (Auszug) - Susanna d Orlando.mp3
7 Il primo libro delle canzoni (1628) (Auszug) - Canzona Nr. 22 detta la Nicolina.mp3
8 Musicali melodie (1621) (Auszug) - La Hieronyma alla quinta bassa.mp3
9 Communiones totius anni (1611) (Auszug) - Viderunt omnes.mp3
10 Libro delle Canzoni 1 (Canzoni da sonare) (1628) (Auszug) - Canzona Nr. 17 detta la Diodata.mp3
11 Concerti ecclesiastici (1610) (Auszug) - Sonata per cornetto e trombone.mp3
12 Communiones totius anni (1611) (Auszug) - Tu es Petrus.mp3
13 Obras de música (1578) (Auszug) - Benedicta es Regina coelorum.mp3
Girolamo Frescobaldi:
Canzona VII, detta la Superba
Canzona XXII, detta la Nicolina
Canzona XVII, detta la Diodata
Giovanni Battista Fontana:
Sonata Terzadecima
Bartolomeo de Selma y Salaverde:
Canzon XXIII per due Bassi
Palestrina/Giovanni Bassano:
Tota pulchra es
Claudio Monteverdi:
Ab aeterno
Mikolaj Zielenski:
Fantazja II
Viderunt omnes
Tu es Petrus
Lassus/Francesco Rognoni:
Susana d’Orlando
Giovanni Martino Cesare:
La Hieronyma alla quinta bassa
Giovanni Paolo Cima:
Sonata per cornetto e trombone
Giuseppe Guami:
L’accorta
Josquin/Antonio de Cabezón:
Benedicta es Regina coelorum
Canzona VII, detta la Superba
Canzona XXII, detta la Nicolina
Canzona XVII, detta la Diodata
Giovanni Battista Fontana:
Sonata Terzadecima
Bartolomeo de Selma y Salaverde:
Canzon XXIII per due Bassi
Palestrina/Giovanni Bassano:
Tota pulchra es
Claudio Monteverdi:
Ab aeterno
Mikolaj Zielenski:
Fantazja II
Viderunt omnes
Tu es Petrus
Lassus/Francesco Rognoni:
Susana d’Orlando
Giovanni Martino Cesare:
La Hieronyma alla quinta bassa
Giovanni Paolo Cima:
Sonata per cornetto e trombone
Giuseppe Guami:
L’accorta
Josquin/Antonio de Cabezón:
Benedicta es Regina coelorum
Wim Becu, as the guiding spirit of the Ensemble Oltremontano and soloist on this CD, imbues the Baroque bass trombone with an unparalleled vitality and virtuosity. Not without reason is he counted among the best in his field, if not the best bass trombone player ever on the Baroque trombone!
The newly-released CD Trombone Grande is exciting from every point of view - many different tone colours and arrangements, as well as very varied compositions, offer you an interesting and entertaining listening pleasure. As well as sound and coherent interpretations of the individual works, the bass trombone is at the centre - rightly so! There has never been a CD dedicated to such a wide-ranging collection of works. For the bass trombone is mostly used as a harmonic base, or for doubling the bass voice.
Thus the performance of the diminution by Francesco Rognoni on Susane un jour certainly represents a highlight of bass trombone virtuosity. Technically brilliant, radiant yet touchingly soft in sound are the highly virtuoso passages which Wim Becu lures from his instrument. Treat yourself and your ear to this rarity! The title of the CD refers to the customary name at the time for the Baroque bass trombone because of its size. Loosely translated, it can also mean 'magnificent trombone'!
Rec.date: 2012
The newly-released CD Trombone Grande is exciting from every point of view - many different tone colours and arrangements, as well as very varied compositions, offer you an interesting and entertaining listening pleasure. As well as sound and coherent interpretations of the individual works, the bass trombone is at the centre - rightly so! There has never been a CD dedicated to such a wide-ranging collection of works. For the bass trombone is mostly used as a harmonic base, or for doubling the bass voice.
Thus the performance of the diminution by Francesco Rognoni on Susane un jour certainly represents a highlight of bass trombone virtuosity. Technically brilliant, radiant yet touchingly soft in sound are the highly virtuoso passages which Wim Becu lures from his instrument. Treat yourself and your ear to this rarity! The title of the CD refers to the customary name at the time for the Baroque bass trombone because of its size. Loosely translated, it can also mean 'magnificent trombone'!
Rec.date: 2012