Utwory na płycie:

• 1 Variationen C-Dur Hob. Xvii_5 - Thema_ Andante.mp3
• 1 Variationen C-Dur Hob. Xvii:5 - Thema: Andante.mp3
• 10 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia_25-30 (Auszug) - The mermaid s song.mp3
• 10 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia:25-30 (Auszug) - The mermaid s song.mp3
• 11 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia_25-30 (Auszug) - Recollection.mp3
• 11 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia:25-30 (Auszug) - Recollection.mp3
• 12 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia_25-30 (Auszug) - Pleasing pain.mp3
• 12 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia:25-30 (Auszug) - Pleasing pain.mp3
• 13 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia_31-36 (Auszug) - Piercing eyes.mp3
• 13 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia:31-36 (Auszug) - Piercing eyes.mp3
• 14 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia_25-30 (Auszug) - A pastoral song.mp3
• 14 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia:25-30 (Auszug) - A pastoral song.mp3
• 15 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia_31-36 (Auszug) - She never told her love.mp3
• 15 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia:31-36 (Auszug) - She never told her love.mp3
• 16 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia_31-36 (Auszug) - Sailor s song.mp3
• 16 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia:31-36 (Auszug) - Sailor s song.mp3
• 2 Variationen C-Dur Hob. Xvii_5 - Variation 1.mp3
• 2 Variationen C-Dur Hob. Xvii:5 - Variation 1.mp3
• 3 Variationen C-Dur Hob. Xvii_5 - Variation 2.mp3
• 3 Variationen C-Dur Hob. Xvii:5 - Variation 2.mp3
• 4 Variationen C-Dur Hob. Xvii_5 - Variation 3.mp3
• 4 Variationen C-Dur Hob. Xvii:5 - Variation 3.mp3
• 5 Variationen C-Dur Hob. Xvii_5 - Variation 4.mp3
• 5 Variationen C-Dur Hob. Xvii:5 - Variation 4.mp3
• 6 Variationen C-Dur Hob. Xvii_5 - Variation 5.mp3
• 6 Variationen C-Dur Hob. Xvii:5 - Variation 5.mp3
• 7 Variationen C-Dur Hob. Xvii_5 - Variation 6.mp3
• 7 Variationen C-Dur Hob. Xvii:5 - Variation 6.mp3
• 8 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia_25-30 (Auszug) - Fidelity.mp3
• 8 Lieder Und Canzonetten Nr. 25-30 (Original Canzonettas, 1. Buch) Hob. Xxvia:25-30 (Auszug) - Fidelity.mp3
• 9 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia_31-36 (Auszug) - Sympathy.mp3
• 9 Lieder Und Canzonetten Nr. 31-36 (Original Canzonettas, 2. Buch) Hob. Xxvia:31-36 (Auszug) - Sympathy.mp3

Lieder fur das Clavier
Original Canzonettas
Einzelne Lieder verschiedener Art

Even if the total of 46 surviving songs for solo voice with piano accompaniment comprise a relativly subordinate rôle in Joseph Haydn’s oeuvre, so the careful structure, preparation and clear disassociation from his rivals Josef Anton Steffan and Leopold Hoffmann really shows that, for Haydn, they were in no way merely a quick alternative source of income, but would also serve to recommend and establish him in the open market for all musical genres, explicitly music intended for amateurs, as a good, even if not a superior, composer.

In contrast to the German songs of the 1780s – the Lieder für das Clavier (1781/1784) –, Haydn’s English Canzonettas show a greater variety of moods: from lively “sea pieces” to pieces with a pastoral character, to those with dramatic, even spinechilling and gloomy moods. The comparison with the more sophisticated character of his Vienna songs from the 1780s, is shown by the many small variations and nuances which Haydn brings to the repeat of the strophic pieces, as well as to the more subtle use of the voice. The piano part is also richer and more elaborate. Anne Cambier has an extensive song repertoire and gives recitals with various pianists, especially Jan Vermeulen. She regularly performs with baroque orchestras such as Il Fondamento, Academy of Ancient Music, and La Petite Bande.