Abel / Bach: Chamber Music
Accent - ACC 24221
Wykonawcy
Il Gardellino:
Jan De Winne, traverse
Marcel Ponseele, oboe
François Fernandez, violin
Vittorio Ghielmi, viola da gamba
Ira Givol, cello
Shalev Ad-El, cembalo & pianoforte
Il Gardellino:
Jan De Winne, traverse
Marcel Ponseele, oboe
François Fernandez, violin
Vittorio Ghielmi, viola da gamba
Ira Givol, cello
Shalev Ad-El, cembalo & pianoforte
Utwory na płycie:
- 1 Quartett für Oboe, Violine, Viola da gamba und Violoncello Nr. 1 B-Dur Warb B60 - 1. Allegro.mp3
- 10 Quartett Für Flöte, Violine, Viola Da Gamba Und Violoncello G-Dur Wko 227 - 1. Allegro moderato.mp3
- 11 Quartett Für Flöte, Violine, Viola Da Gamba Und Violoncello G-Dur Wko 227 - 2. Allegretto.mp3
- 12 Sextett für Klavier, Oboe, Violine, Violoncelle und 2 Hörner C-Dur- Warb B78 - 1. Allegro.mp3
- 13 Sextett für Klavier, Oboe, Violine, Violoncelle und 2 Hörner C-Dur- Warb B78 - 2. Larghetto.mp3
- 14 Sextett für Klavier, Oboe, Violine, Violoncelle und 2 Hörner C-Dur- Warb B78 - 3. Rondo_ Allegro.mp3
- 14 Sextett für Klavier, Oboe, Violine, Violoncelle und 2 Hörner C-Dur- Warb B78 - 3. Rondo: Allegro.mp3
- 2 Quartett für Oboe, Violine, Viola da gamba und Violoncello Nr. 1 B-Dur Warb B60 - 2. Rondo grazioso.mp3
- 3 Quartett Für Flöte, Violine, _tenor_ Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 1. Allegro con spirito.mp3
- 3 Quartett Für Flöte, Violine, "tenor" Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 1. Allegro con spirito.mp3
- 4 Quartett Für Flöte, Violine, _tenor_ Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 2. Adagio.mp3
- 4 Quartett Für Flöte, Violine, "tenor" Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 2. Adagio.mp3
- 5 Quartett Für Flöte, Violine, _tenor_ Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 3. Tempo di Menuetto.mp3
- 5 Quartett Für Flöte, Violine, "tenor" Und Violoncello B-Dur Op. 8 Nr. 2 Wko 62 - 3. Tempo di Menuetto.mp3
- 6 Quintett für Flöte, Oboe, Violine und Basso continuo F-Dur op. 11 Nr. 3 Warb B73 - 1. Andante.mp3
- 7 Quintett für Flöte, Oboe, Violine und Basso continuo F-Dur op. 11 Nr. 3 Warb B73 - 2. Allegretto.mp3
- 8 Sonate Für Viola Da Gamba Solo Nr. 24 D-Moll Wko 209 - Adagio.mp3
- 9 Sonate Für Viola Da Gamba Solo Nr. 22 D-Moll Wko 207 - Allegro.mp3
Abel:
Quartet in B flat major op. 8 No. 2 WKO 62
Quartet in G major WKO 227
Adagio from Sonata No. 24 in D minor for viola da gamba solo WKO 209
Allegro from Sonata No. 22 in D minor for viola da gamba solo WKO 207
Bach JC:
Quartet No. 1 in B flat major Warb B60 from “Six Quatuors concertant …” (1776)
Quintet in F major op. 11 No. 3 Warb B73 – Sextet in C major B78
Quartet in B flat major op. 8 No. 2 WKO 62
Quartet in G major WKO 227
Adagio from Sonata No. 24 in D minor for viola da gamba solo WKO 209
Allegro from Sonata No. 22 in D minor for viola da gamba solo WKO 207
Bach JC:
Quartet No. 1 in B flat major Warb B60 from “Six Quatuors concertant …” (1776)
Quintet in F major op. 11 No. 3 Warb B73 – Sextet in C major B78
The extremely critical Leopold Mozart had already valued highly the light flowing style in the chamber music of Johann Christian Bach (1735-1782), the youngest Bach son, and noted quite rightly that such works show “all the characteristics of a good composition”, they are “natural, flowing, lightly written and carefully composed”. Such music would be “more difficult to compose than all those harmonic progressions which most people cannot understand and pleasing melodies which are difficult to perform”. This may also be noticed in the chamber music of Carl Friedrich Abel (1723-1787), whose works were even regarded as a yardstick for good music by his contemporaries. In the 1780s the writer Christoph Friedrich Nicolai spoke of adagios which had been composed “in the singing and beautiful style of Abel”. Both composers are today considered to be important precursors of Viennese classicism. Above all, they are significant and style-setting contemporaries in an age, which attributed to elegance and grace the same value as only the connoisseur gives to the art of counterpoint.