Wydawnictwo: Accent
Nr katalogowy: ACC 24219
Nośnik: 1 CD
Data wydania: lipiec 2009
EAN: 4015023242197
Nr katalogowy: ACC 24219
Nośnik: 1 CD
Data wydania: lipiec 2009
EAN: 4015023242197
Haydn: 6 Sonatas for Violin & Viola
Accent - ACC 24219
Kompozytor
Joseph Haydn (1732-1809)
Joseph Haydn (1732-1809)
Utwory na płycie:
- 1 Sonate für Violine und Viola C-Dur Hob. VI_6 - 1. Allegro.mp3
- 1 Sonate für Violine und Viola C-Dur Hob. VI:6 - 1. Allegro.mp3
- 10 Sonate für Violine und Viola Es-Dur Hob. VI_5 - 1. Moderato.mp3
- 10 Sonate für Violine und Viola Es-Dur Hob. VI:5 - 1. Moderato.mp3
- 11 Sonate für Violine und Viola Es-Dur Hob. VI_5 - 2. Adagio.mp3
- 11 Sonate für Violine und Viola Es-Dur Hob. VI:5 - 2. Adagio.mp3
- 12 Sonate für Violine und Viola Es-Dur Hob. VI_5 - 3. Tempo di Menuet.mp3
- 12 Sonate für Violine und Viola Es-Dur Hob. VI:5 - 3. Tempo di Menuet.mp3
- 13 Sonate für Violine und Viola A-Dur Hob. VI_2 - 1. Allegro moderato.mp3
- 13 Sonate für Violine und Viola A-Dur Hob. VI:2 - 1. Allegro moderato.mp3
- 14 Sonate für Violine und Viola A-Dur Hob. VI_2 - 2. Adagio.mp3
- 14 Sonate für Violine und Viola A-Dur Hob. VI:2 - 2. Adagio.mp3
- 15 Sonate für Violine und Viola A-Dur Hob. VI_2 - 3. Finale_ Tempo di menuet.mp3
- 15 Sonate für Violine und Viola A-Dur Hob. VI:2 - 3. Finale: Tempo di menuet.mp3
- 16 Sonate für Violine und Viola F-Dur Hob. VI_1 - 1. Allegro moderato.mp3
- 16 Sonate für Violine und Viola F-Dur Hob. VI:1 - 1. Allegro moderato.mp3
- 17 Sonate für Violine und Viola F-Dur Hob. VI_1 - 2. Adagio sostenuto.mp3
- 17 Sonate für Violine und Viola F-Dur Hob. VI:1 - 2. Adagio sostenuto.mp3
- 18 Sonate für Violine und Viola F-Dur Hob. VI_1 - 3. Tempo di Menuet.mp3
- 18 Sonate für Violine und Viola F-Dur Hob. VI:1 - 3. Tempo di Menuet.mp3
- 2 Sonate für Violine und Viola C-Dur Hob. VI_6 - 2. Adagio.mp3
- 2 Sonate für Violine und Viola C-Dur Hob. VI:6 - 2. Adagio.mp3
- 3 Sonate für Violine und Viola C-Dur Hob. VI_6 - 3. Tempo di menuet.mp3
- 3 Sonate für Violine und Viola C-Dur Hob. VI:6 - 3. Tempo di menuet.mp3
- 4 Sonate für Violine und Viola D-Dur Hob. VI_4 - 1. Moderato.mp3
- 4 Sonate für Violine und Viola D-Dur Hob. VI:4 - 1. Moderato.mp3
- 5 Sonate für Violine und Viola D-Dur Hob. VI_4 - 2. Adagio.mp3
- 5 Sonate für Violine und Viola D-Dur Hob. VI:4 - 2. Adagio.mp3
- 6 Sonate für Violine und Viola D-Dur Hob. VI_4 - 3. Tempo di menuet.mp3
- 6 Sonate für Violine und Viola D-Dur Hob. VI:4 - 3. Tempo di menuet.mp3
- 7 Sonate für Violine und Viola B-Dur Hob. VI_3 - 1. Andante.mp3
- 7 Sonate für Violine und Viola B-Dur Hob. VI:3 - 1. Andante.mp3
- 8 Sonate für Violine und Viola B-Dur Hob. VI_3 - 2. Adagio.mp3
- 8 Sonate für Violine und Viola B-Dur Hob. VI:3 - 2. Adagio.mp3
- 9 Sonate für Violine und Viola B-Dur Hob. VI_3 - 3. Menuet.mp3
- 9 Sonate für Violine und Viola B-Dur Hob. VI:3 - 3. Menuet.mp3
Research has suggested that Joseph Haydn may have written the here recorded sonatas
primarily for tuition purposes. This can hardly have been the case. On the contrary: the sonatas’
structure marks them out as challenging, concertante repertoire for solo violin. This is confirmed by
Haydn’s terminology: he entered the works in his “draft catalogue” under the heading “Solo per il
Violino”, which he later expanded to “6 Violin Solo mit Begleitung einer Viola”. The “Solo per il
Violino” designation is perfectly justified because in these sonatas the violin is treated as a
concertante instrument with the viola in a mainly accompanying role. The sonatas therefore
exemplify the accompanied solo, a direct development from the Baroque sonata for solo
instrument and basso continuo. These six, stylistically homogeneous works were written together
and form a self-contained series. The “draft catalogue” entry also shows them to be a set. Even
external characteristics reveal conspicuous similarities between the movements.
Anton Steck is internationally renowned as a violinist devoted to music composed before 1840.
The hallmarks of his career have been his farreaching new discoveries in violin and quartet
repertoire and his tonal redefinition of familiar masterpieces. For years he was leader of the three
Deutsche Grammophon orchestras: Musica Antiqua Köln, Les Musiciens du Louvre and Concerto
Köln. In 1996 he founded the Schuppanzigh Quartet, an ensemble with which he regularly
performs concerts and makes CD recordings, most recently on the ACCENT label.
primarily for tuition purposes. This can hardly have been the case. On the contrary: the sonatas’
structure marks them out as challenging, concertante repertoire for solo violin. This is confirmed by
Haydn’s terminology: he entered the works in his “draft catalogue” under the heading “Solo per il
Violino”, which he later expanded to “6 Violin Solo mit Begleitung einer Viola”. The “Solo per il
Violino” designation is perfectly justified because in these sonatas the violin is treated as a
concertante instrument with the viola in a mainly accompanying role. The sonatas therefore
exemplify the accompanied solo, a direct development from the Baroque sonata for solo
instrument and basso continuo. These six, stylistically homogeneous works were written together
and form a self-contained series. The “draft catalogue” entry also shows them to be a set. Even
external characteristics reveal conspicuous similarities between the movements.
Anton Steck is internationally renowned as a violinist devoted to music composed before 1840.
The hallmarks of his career have been his farreaching new discoveries in violin and quartet
repertoire and his tonal redefinition of familiar masterpieces. For years he was leader of the three
Deutsche Grammophon orchestras: Musica Antiqua Köln, Les Musiciens du Louvre and Concerto
Köln. In 1996 he founded the Schuppanzigh Quartet, an ensemble with which he regularly
performs concerts and makes CD recordings, most recently on the ACCENT label.