CD 1:
canción del silencio (bernardo fuster)
la romería de s.andrés de teixido (luis mendo)
mujer sin decoro (l. mendo & b. fuster)
imagíname (l. mendo & b. fuster)
me cago en su excelencia (l. mendo & b. fuster)
calle de la sal (l. mendo)
la tierra se mueve (l. mendo & b. fuster)
adiós a las penas de abril (l. mendo & b. fuster)
rumbo sur (l. mendo & b. fuster)
amor sin fin (luis pastor & l. mendo & b. fuster)
canta el viento (l. mendo & b. fuster)
parís tombuctú (l. mendo & b. fuster)
la fuente de la edad (l. mendo & b. fuster)

CD 2:
la puerta de alcalá (p.villar & l.mendo & b.fuster & m.a.campos)
buscando un pais (l. mendo & b. fuster)
don de lenguas/nada es igual (l. mendo & b. fuster)
arde paris (l. mendo & b. fuster)
luna de lobos (l. mendo & b. fuster)
cielo abierto (l. mendo & b. fuster)
nadie te conoce (l. mendo & b. fuster)
que tengas suerte (l. mendo & b. fuster)
ausencia (lope de vega & imanol lárzabal)
destino incierto (l. mendo & b. fuster)
makinavaja (l. mendo & b. fuster)
el zumbido que no cesa (emilio martinez & l. mendo)

DVD:
Documentary - “Suburbano. The Sound of the Memory”

We walk on footprints. They are the footprints of forty years living in music. In them is engraved what we have been and therefore, what we are.

Suburbano has been, perhaps, the most heterodox group in Spanish popular music. Consequently, also one of the least recognized. It is the price of freedom.

Being unorthodox is not a merit, nor is it a criticism. It is a way of living music, it is to let oneself be carried away in each moment by the impulse of what one wants to express: Different ideas require different forms of communication.

In this compilation we have recovered, or re-recorded, the compositions that in our opinion can better reflect the identity of SUBURBANO over time; a selection in which feelings and emotions preceded any other artistic value, as we have always done.

We continue walking on footprints without ceasing to pursue a horizon, fortunately still unknown.