Utwory na płycie:

• Mozart - Adagio and Fugue in C minor K.546 - Adagio and Fugue in C minor K.546
• Schweitzer - Er ist gekommen...Zwischen Angst und zwischen Hoffen from Alceste - Es ist gekommen
• Schweitzer - Er ist gekommen...Zwischen Angst und zwischen Hoffen from Alceste - Zwischen Angst und zwischen Hoffen
• Kozeluch - Symphony in G minor - Allegro
• Kozeluch - Symphony in G minor - Adagio
• Kozeluch - Symphony in G minor - Presto
• Paisiello - Empi fermate ola... Smarrita tremante from Annibale in Torino - Misera chei peri!
• Paisiello - Empi fermate ola... Smarrita tremante from Annibale in Torino - Smarrita tremante
• Haydn - Symphony No.44 in E minor Trauer - Allegro con brio
• Haydn - Symphony No.44 in E minor Trauer - Menuetto e Trio: Allegretto
• Haydn - Symphony No.44 in E minor Trauer - Adagio
• Haydn - Symphony No.44 in E minor Trauer - Finale: Presto

Haydn:
Symphony No. 44 in E minor 'Mourning'
Kozeluch:
Symphony in G minor
Mozart:
Adagio & Fugue in C minor for Strings, K546

Like the first two releases in The Mozartists’ ongoing ‘Sturm und Drang’ series, this record- ing comprises three highly dramatic and turbulent orchestral works interspersed with similarly highly-charged vocal items. The repertoire dates from between 1771 and 1788, and again includes one of Haydn’s great minor-key symphonies – this time arguably the greatest of them all, the ‘Trauer’. For the first time in the series Mozart is also represented, in the form of his extraordinarily visceral and darkly chromatic Adagio and Fugue in C minor, and the disc opens with an outstanding G minor symphony by the Czech com- poser Leopold Kozeluch, whose quality, sweep and lyricism will surprise many listeners. The two vocal works are genuine rarities. Schweitzer’s Alceste was one of the earliest attempts to create German tragic opera in the vernacular, and it launches with an aria of searing intensity. The scene from Paisiello’s Annibale in Torino – the twenty-third of his eighty-seven operas –features an exquisite but brief arioso before leading into a stormy G minor aria. The soloist is the exciting young American soprano Emily Pogorelc, and Ian Page again conducts his award-winning period-instrument ensemble.