Utwory na płycie:

• Suite Nr. 5 BWV 1011/995 f-Moll - Prélude
• Suite Nr. 5 BWV 1011/995 f-Moll - Courante
• Air aus Orchestersuite Nr. 3 BWV 1068/2

Johann Sebastian Bach:
Suite Nr. 5, BWV 1011/995 f-Moll
Suite Nr. 2, BWV 1008 a-Moll
Suite Nr. 1, BWV 1007 D-Dur
Air aus Orchestersuite Nr. 3, BWV 1068/2

Johann Sebastian Bach, Francesco da Milano:
Fantasien & Chorale

Tilman Hoppstock is one of Germany’s most famous guitar players and the work of Bach stands in his focus for a long time: His research of over 30 years culminated in the publication of two book titles and his musicological edition is considered today a standard work by nearly all guitarists who occupy themselves with Bach. In 2013 he earned the doctor’s degree for his research on Bach.

The Six Suites for solo cello are nowadays performed on a wide range of instruments and Tilman Hoppstock has adapted the Suites Nos. 1, 2 and 5 for his instrument the guitar. His large knowledge of the contrapunctal technique of Bach combined with his stupendous virtuosity on the guitar resulted in a recording of great musicality and sensibility.

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Recordings: January / April 2017 at Prim-Tonstudio, Darmstadt (tracks 1-12), July 2016 at Akademie für Tonkunst Darmstadt (tracks 13-27). Instruments: Christopher Dean, 2000 (tracks 1-6), Santos Hernandez, 1929 (tracks 13-27)