Wydawnictwo: Orfeo
Seria: Festspieldokumente Salzburg
Nr katalogowy: C 926161
Nośnik: 1 CD
Data wydania: październik 2016
EAN: 4011790926124
Seria: Festspieldokumente Salzburg
Nr katalogowy: C 926161
Nośnik: 1 CD
Data wydania: październik 2016
EAN: 4011790926124
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm, 20 wiek do 1960
Obszar (język): rosyjski, niemiecki
Rodzaj: pieśń
Epoka muzyczna: romantyzm, 20 wiek do 1960
Obszar (język): rosyjski, niemiecki
Rodzaj: pieśń
Strauss / Czajkowski / Wagner: Lieder
Orfeo - C 926161
Wykonawcy
Jessye Norman, sopran / James Levine
Jessye Norman, sopran / James Levine
Utwory na płycie:
Richard Strauss:
Schlichte Weisen op. 21/1 All´ mein´ Gedanken
Nachtgang op. 29/3
Schlichte Weisen op. 21/2 Du meines Herzens Krönelein
Allerseelen op. 10/8
Ständchen op.17/2
Peter Iljitsch Tschaikowsky:
Aus:
Six chantes op. 65
Richard Wagner:
Wesendonck – Lieder
Zugaben
Arnold Schönberg:
Brettl - Lieder
Schlichte Weisen op. 21/1 All´ mein´ Gedanken
Nachtgang op. 29/3
Schlichte Weisen op. 21/2 Du meines Herzens Krönelein
Allerseelen op. 10/8
Ständchen op.17/2
Peter Iljitsch Tschaikowsky:
Aus:
Six chantes op. 65
Richard Wagner:
Wesendonck – Lieder
Zugaben
Arnold Schönberg:
Brettl - Lieder
This release explores the field of vocal music, and lieder in particular. The lieder recital no longer seems to be such a self-evident feature of musical life as it once was, but at the Salzburg Festival it always had a special place of its own, and that place has certainly been due in part to the presence of “leading lights” of the music scene. Looking back to the most recent decades, we see that like Dietrich Fischer-Dieskau before her, there was nobody in the Eighties and Nineties who could so
captivate the audience at a lieder recital, with a dramatic art and a wealth of vocal resources that defied comparison, as the inimitable Jessye Norman. All who can consider themselves lucky to have caught her in those years, doing what she did best of all, will count themselves equally fortunate – no less than new enthusiasts coming fresh to her work – to discover (or renew acquaintance with) an additional programme by the diva, sensitively accompanied by James Levine, effortlessly superb and impeccably quadrilingual in Richard Strauss, Tchaikovsky, Wagner’s Wesendonck Lieder and – with their high “repertoire value” – the rarity of Schoenberg’s Brettl-Lieder, Viennese rather than modern.
captivate the audience at a lieder recital, with a dramatic art and a wealth of vocal resources that defied comparison, as the inimitable Jessye Norman. All who can consider themselves lucky to have caught her in those years, doing what she did best of all, will count themselves equally fortunate – no less than new enthusiasts coming fresh to her work – to discover (or renew acquaintance with) an additional programme by the diva, sensitively accompanied by James Levine, effortlessly superb and impeccably quadrilingual in Richard Strauss, Tchaikovsky, Wagner’s Wesendonck Lieder and – with their high “repertoire value” – the rarity of Schoenberg’s Brettl-Lieder, Viennese rather than modern.